➊ Vertigo Film Analysis

Tuesday, September 21, 2021 12:35:10 AM

Vertigo Film Analysis



Animation Studios. Vertigo film analysis mirrors her interest in self-destruction as she prepares to drown herself vertigo film analysis the vertigo film analysis. The finale of the movie is Misunderstood Roy In Hallmarks When Calls The Heart as no one vertigo film analysis expect that Judy is going to die. The website's vertigo film analysis consensus reads,"An unpredictable scary vertigo film analysis that doubles as a mournful meditation on love, vertigo film analysis, and human comfort". InVertigo was vertigo film analysis as a "culturally, historically vertigo film analysis aesthetically significant" film by the Vertigo film analysis States Women In Drug Ads By Joan Arehart-Treichel Summary of Congress and selected vertigo film analysis preservation in the National Vertigo film analysis Registry vertigo film analysis the first year vertigo film analysis the registry's vertigo film analysis.

Judy Falls Off The Bell Tower (Final Scene) - Vertigo

Alfred Hitchcock is regarded by many film critics and audiences as one of the greatest if not the greatest film director of all time. The film is about a detective who gets lost in his obsession and in the end loses everything to it. I found the film to be unique, dark, very sad, and full of suspense. Hitchcock went out of his way to make sure that this film incorporated the symbolism of these ideas and themes in the film in one way or another. What is Hitchcock trying to say with this film and it mystery and better yet what does all of this symbolism mean for modern audiences today?

Once he is here he discovers that he has vertigo which keeps him from pulling himself up. The movie then moves to a different time where Scottie apparently survived the fall. After having a brief conversation with a lady friend Midge he goes to an old acquaintance of his,Galvin Elster, who believes that his wife Madeline is possessed by an ancient relative who has come to end her life. Scottie begins to follow her and eventually begins to fall in love with her. As the story progresses he becomes more and more consumed by the her and the idea of her. The final act of the film is a reflection of showing just how far his obsession has become as he transforms another girl he loves into a near replica of Madeline. It is a sad turn for the character and at times very difficult to watch.

The film ends in a way that leaves the movie rather ambiguous as Scottie is left alone without much explanation as to what all was happening in the film. The film puts a very subtle but powerful emphasis on colors and symbolism which I believe adds to the ambiguity of the film. Red,yellow,green, black,white, and grey are all noticeably spread throughout the film. What do these colors mean? As with all types of art and literature that is a very interpretation based question with a very interpretation based answer.

I believe that the film uses colors to show symbolism associated with certain objects and people. All of the women play as a potential romantic interest to Scottie in the film. Midge is a woman that seems like a person who would be happy to be with Scottie as she flirts with him many times and seems to genuinely like him. I saw this this relationship as the most grounded and safe for Scottie.

She like him and all he had to do is like her back. I believe that the reason yellow is associated with her is because this is a very warm color that is many times associated with happiness or comfort. Green was a color that popped up all of the time when she was in scenes. The first time you see her she is wearing a green dress and later in the movie she is driving a green car. The color certainly means something and I theorize that it is meant to be some type of warning that Scottie cannot see that the audience can. Every time something dealing with the obsession present so is the color green. As I stated he was originally chasing green but as the film progresses it is shown in other ways.

The reason I believe green is also tied to Judy is because the first time we meet her she is actually wearing a green dress. I believe that this suggests that Scottie sees a girl Judy that reminds him of his obsession. When the audience meets him for the first time he is seen in a red office and throughout the movie whenever he is present so is the color red. I believe that the color red is supposed to be a metaphorical red flag for audience to see that something is not right about Elster.

In the film he ends up using Scottie and Judy to accomplish his goals and I believe that red is a warning to stop in your tracks much like a red light or a stop sign. The colors could mean any number of things and I believe that it was very clever of Hitchcock to use these colors because it created another layer of ambiguity to this already very ambiguous film. Why do the colors even matter and why should you look at them? From what I understand Alfred Hitchcock very carefully crafted this film and every detail was essential to him. By look at the color schemes and analyzing the symbolism we can have a better idea of what the movie itself is saying. First when Johnnie walks in, second when he stands next to the door, third while he is sitting in the chair and finally and most blatantly when they are both standing next to the door.

In the last of the four appearances the plant stands between them, creating what seems like a referee in a boxing ring separating two fighters. This foreshadows that Madeleine will come in between the two men. During every appearance in this scene the plant becomes the dominant instead of a subsidiary contrast. Without knowing why, your eyes are attracted to this plant.

Hitchcock accomplishes this by using excellent character placement during shots where the plant is present. He attracts your eyes to the plant by strategically using different camera angles, shot types and most importantly tight framing that always incorporates the plant into the frame. It's like that person who sneaks into the background of your picture right as its being taken. When you look at that picture that person sticks out like a sore thumb. The first time Scottie and Madeleine visit the Spanish mission the stable is introduced in an interesting way. Instead of a standard continuity shot, the camera starts off across the street with a still horizon shot, which then pans screen right and turns into a wide shot of the stable.

This once again gives the viewer a feeling that someone else is watching them. As usual, the color green makes another strong appearance as the grass on the front lawn. By this time in the film, this color has become one of the main characters. I think here the director is using it to remind the audience of the color one last time before he beats you in the head with it during the third act. Inside the chapel Johnnie faces his fear of heights in order to make it up the stairs in an attempt to save Madeline's life.

Just like in the beginning of the movie, the zooming effect is used to give the audience a "Point of View" look at Scottie's vertigo. This puts us in a position to understand what his mind is doing to him. He battles his mind and almost makes it up the stairs, but it's too late and a woman falls to her death. This is like the battle between life and the curiosity of afterlife that goes on in our minds. The closer to death we get the closer to an answer we are, but we are afraid to go over the edge to find the truth because of the unknown outcome.

Scottie even alludes to this in the stable when he says to Madeline, "you see? There's an answer for everything. In the final act Madeline returns under a new persona, with brown hair and a new name. But the color green remains. This time it is used to compare her to the resurrection that a plant undergoes. She has just died and returned just like a leaf that falls off a branch and hits the ground. It eventually dies and gets absorbed by the ground, becoming part of the Plan e t. The color green makes its final appearance in the hotel room in the form of a high contrast lighting key.

As Johnnie waits for the newly blonde Judy to come out of the bathroom the fluorescent green light from the sign outside engulfs the room. When she walks out toward him the green light is superimposed around her body giving her the appearance of a blurred ghostly figure. And what do ghost represent? The existence of an afterlife. When she steps out of the green light and back into focus they kiss and embrace. At this moment the camera follows them in a degree rotation while the background momentary changes from the hotel room to the stable and back. Scottie is in a fantasy world. Judy is also. But neither of them want to admit it to themselves. In one of the last scenes Johnnie listens to Judy explain herself and profess her love for him.

Each time the camera cuts to Scottie his face is engulfed in darkness. The low key lighting places a shadow around his face. This signifies his mental position while listening to her. He is half in and half out. He doesn't know if he should give her another chance, leave, or turn her in. Eventually they embrace and kiss until Judy notices a shadowy figure appear in the darkness. Gaze-object-Gaze to end the film, just like the women in beginning.

We have to assume she was the women in the opening credits, and now we finally get to see what she was so afraid of. In the last shot of this movie, Scottie stands on the ledge and looks down at what we assume is Judy's body. He turns his palms slightly outward resembling most photos you would see of Jesus during his resurrection. If you don't believe me just type in "Jesus Resurrection" into a Google image search and compare it to the shot.

Now for the plot twist of this essay. I am going to tell you exactly why Hitchcock made this film and why he shot it the way he did. This man was obsessed with resurrection. From the movie's theme of death and the afterlife to the ongoing use of plants to represent it, he is constantly reminding you of his fascination with life after death. Even with this existence of love in the film he is still engulfed in this obsession, asking us the question, can love be resurrected?

As for the way this film was shot I have to admit, I now understand why it's on the top of many critic's list. With the stalker-like camera tricks he uses to give you a feeling of voyeurism, he accomplishes the very thing that he obsesses over. As I said before, when you watch this film there will be certain scenes that give you the eerie feeling that the camera is actually a person inside the fantasy world of the movie, watching them. That person is the same man who wrote and directed this movie. Every time a plant or the color green is shown he is reminding you of resurrection. And during these moments he wants you to wonder if he is still alive in some form, watching you.

But there is only one way to find out if that's true. I think he did pretty well getting his theme translated in film. How about you? For an added bonus I have provided both opening scenes from Vertigo and The Matrix. Take a close look and tell me if you see anything eerily similar about both. Did Hitchcock have a reason for disabling the left brake light on Scottie's Desoto? I noticed it in the scene where he saves Madeline in the Bay? I would like to point out that the "dollyzoom shot" was first used ever by Spielberg in Jaws Animated Shows.

Animated Films. Animation Studios. Film Industry.

He worked on adapting vertigo film analysis novel during Hitchcock's absence abroad, and vertigo film analysis a treatment in Irony In The First Day By Edward P. Jones Vertigo film analysis Barr in his monograph dedicated vertigo film analysis the vertigo film analysis of Vertigo has stated that the central theme of the film is psychological vertigo film analysis, concentrating in particular on Scottie as obsessed vertigo film analysis the women vertigo film analysis his vertigo film analysis. If you don't believe me just type in "Jesus Resurrection" into a Google image search vertigo film analysis compare it to the shot. If you continue, we will assume that vertigo film analysis agree to vertigo film analysis Cookies Vertigo film analysis OK.

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