➊ Derek Walcott Love After Love

Friday, September 03, 2021 1:14:38 PM

Derek Walcott Love After Love

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David Whyte recites Derek Walcott's \

Note the mention of the stranger in line seven, underlining the idea of a split in the psyche - and the reassuring tone of the speaker who insists that this stranger will be loved again. The stranger who was your self but who has been neglected. The wine and bread are taken from the Christian communion they symbolise the blood and body of Christ but are here meant to convey the humanity involved in this process rather than any divinity.

The syntax is unusual, broken up by full stops, end stops as the imperative comes to the fore. All through this stanza is an emphasis on the stranger, the metaphorical stranger, that part of every individual who unconditionally loves but who, through time has lost heart. Enjambment carries the reader from second to third and continues to focus on the stranger, that side of the psyche who during the relationship suffered, but still is the one who knows best. And in line twelve the first mention of a practical step towards finally ending the heartache and estrangement. Remove love letters. Remove photos. Remove notes.

Presumably they have to be destroyed or kept out of sight before a healing can be reached. That use of the word peel in the final stanza gives an added significance - not take down your own image but peel, slowly and surely, unseal yourself before you can at last sit and finish off the wine and bread in a suitable manner. Don't eat the food, feast on it. You deserve it. Love After Love is a short, free verse poem of 4 stanzas, making a total of 15 varied length lines. The rather loose structure overall reflects the breaking down of former barriers, a theme within the poem, which focuses on new found freedom to love oneself following a relationship breakup. The tone is gentle, conciliatory and instructive. The speaker is reassuring the reader throughout that all will be well in the end, it's a matter of time and willingness to accept.

But some actions will have to be taken which is why the imperatives are used in some lines. The images are those of an individual entering, opening a door of a house and facing their own image in a mirror. This is a positive visual, there are smiles and even some joy. There is an instruction - to eat - at a table, in the kitchen? This is the scene the reader is encouraged to build: a quietly reflective person who is now beginning to show signs of a new life, expressing positive vibes through smiles and a renewed appetite for life. Once the paraphernalia surrounding the lost love, all the letters and what have you, are finally removed, then the self-acceptance can be truly experienced.

Perhaps the most notable aspect of the language used is that of tenses: the poem covers the past, present and future. Give back The imperative suggests instruction and command, each monosyllabic word contrasting with the longer lines:. Marine Biology. Despite this story using a various approach towards manipulating us to the theme, the poem uses literary and symbolic devices to exhibit the poet 's life. However, in the poem, the poet uses the ocean to show that all of his emotions are mixed to form one big vast area. Vincent Millay uses a unique approach for a love poem, instead of describing what love is she describes what love is not. Even though she uses this original approach to a love poem she is still able to describe the importance of love.

Edna is still able to portray her theme because she uses the structure, imagery, and alliteration in her poem to convey her theme that love may not be necessary for survival but life without love is a life not worth living. Some comes in happy moments. Some comes in anger moments. Some comes in tragic moments. One read poems to understand the world of which people dreams of. Let me count the ways. It is such an intense feeling that can entirely transform the way that people view the world. It can be experienced more intensely for some compared to others. Elizabeth Browning and Anne Bradstreet both manifested their own intense feelings of love for their husbands in the form of poem. During this time, writers articulated physical and emotional passion through their writings, because freedom was highly encouraged.

The sea. The sea has locked them up. The sea is History. A wind is ruffling the tawny pelt Of Africa, Kikuyu, quick as flies, Batten upon the bloodstreams of the veldt. Corpses are scattered through a paradise. Old Eddie's face, wrinkled with river lights, Looked like a Mississippi man's. The eyes, Derisive and avuncular at once, Swivelling, fixed me. They'd seen The last leaves fell like notes from a piano and left their ovals echoing in the ear; with gawky music stands, the winter forest looks like an empty orchestra, its lines There is a shattered palm on this fierce shore, its plumes the rusting helm- et of a dead warrior.

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